Archiv Duben, 2018

Novinky

Agnès Varda bude ve filmu Let’s Talk About Cinema reflektovat vlastní kariéru

Broad City skončí s pátou sérií

Byla představena podstatná část programu Cannes

Juliette Binoche a Catherine Deneuve si zahrají v příštím filmu Hirokazu Koreedy

Marco Bellocchio natočí minisérii o únosu Alda Mora

Nové projekty Stevena Soderbergha

Rai Cinema bude produkovat filmy od Sokurova nebo Končalovského

Zemřel Juraj Herz

Zemřel Miloš Forman

Zemřel spoluzakladatel animačního studia Ghibli Takahata Isao

Zemřel Vittoria Taviani

 

Recenze

Jeannette l’enfance de Jeanne d’Arc (Simon Abrams)

Nikdys nebyl (Adam Nayman):

„A sequence showing Joe plying his trade entirely via surveillance cameras is a gimmick, but it also says something provocative about violence and spectatorship, presenting an unblinking but distanced perspective on carnage that another director might have rendered in close-up.“

Rampage (A. A. Dowd)

Rampage (Matt Singer):

Rampage knows itself. It’s so self-aware about its stupidity that it almost loops back around to being smart.“

The Rider (A. O. Scott)

Submergence (Matt Zoller Seitz)

Zama (Adrian Martin)

Zama (Adam Nayman)

 

Delší texty

11 odhalených tajemství Ready Player One:

„It’s more balance[d] to the characters, and gives her more agency and a bigger role, while still capturing the spirit of what’s in the book.“

25 nových filmů režírovaných ženami

David Bordwell píše mj. o filmu Obávaný:

„Despite all his influence, the original Godard will never become “normalized,” just as Schoenberg will never become elevator music.“

Douglas Sirk a jeho melodramata pro Universal

Nekonvenční vyprávění Soderberghova Zakázaného ovoce.

Netflix a budoucnost kinematografie:

„Netflix has created a distribution platform of staggering power, capable of delivering movies to people who’d never get within 1,000 miles of Cannes’ Croisette, but it’s also built a model that thrives on quantity over quality, where it doesn’t matter what people are watching as long as they’re watching something.“

Molly Ringwald píše o Snídaňovém klubu ve světle #metoo

Ohlédnutí za queer klasikou Sally Potterové Orlando

Rozhovor s Lynne Ramsay:

„To me, most filmmaking is a kind of visualization of how people are. The dark, the light, the absurdity of life, all the crazy things, you know?“

Rozhovor s Lynne Ramsay II

 

Trailery

American Animals

Birds of Passage

Dark Crimes

Dogman

Hot Summer Nights

Incredibles 2

Ocean’s 8

Picnic at Hanging Rock

Under the Silver Lake

Vision

Reklamy

Inspirativní video eseje II

Posted: 2. 4. 2018 in videa
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(Kromě níže vybrané doporučuji také všechny ostatní video eseje od Matta Zollera Seitze věnované filmům Wese Andersona. Dohromady vydají za analytickou studii o několika desítkách stran.)

12 Angry Men – A Lesson in Staging (Andrew Saladino)

Center Framing: Mad Max, Wes Anderson & Kubrick (ScreenPrism)

Constructive Editing in Robert Bresson’s Pickpocket (David Bordwell)

Howard Hawks & The Art of Screwball Comedy (Taylor Ramos, Tony Zhou)

Inglourious Basterds — The Elements of Suspense (Michael Tucker)

Jacques Tati – Where to Find Visual Comedy (Andrew Saladino)

The Legacy of Paranoid Thrillers (Travis Lee Ratcliff)

The Life of a Woman, Directed by Women (Emma Piper-Burket)

Manic Moretti (Philip Brubaker)

On the Waterfront – Aspect Ratio Visual Essay (Issa Clubb)

One Way To Deconstruct There Will Be Blood — Or Any Movie (Nerdwriter)

PlayTime: Anatomy of a Gag (David Cairn)

See With Your Ears: Spielberg And Sound Design (Nerdwriter)

Under The Skin – The Alien Lens (Julian Palmer)

VoiceOver according to Martin Scorsese (Truthtellers)

The Wes Anderson Collection Chapter 3: The Royal Tenenbaums (Matt Zoller Seitz)

When Harry Met Sally — Breaking Genre Conventions (Michael Tucker)

Why Do Dogs Die In Wes Anderson Movies? (Luís Azevedo)

Why Framing Matters in Movies (Chloé Galibert-Laîné)

WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity (Allison de Fren, Brian Cantrell)